Collaboration: Background on the chess partnership and starting a new game …

Harrell Fletcher was my mentor in Handshake2. It was here where we first began our ‘chess’ partnership. Through Handshake3 I am fortunate to continue this partnership.

This time in Handshake3 our chess game is a little different. Instead of playing a game where the chess pieces on both sides form ‘my’ work, where I choose the direction the plays continue/develop, where I resolve where the game ends; this time the game forms ‘our’ work; this time the game sees Harrell’s starts, his big moves, the outcome carries much more strongly his interests in focus/direction as much as my own… this will be exciting to see … it will be an experience that is exciting to learn through …

An opportunity to make a work together … I am looking forward to seeing where this shared game of chess may go … and where it may end.

Thanks Harrell for joining me in another game of chess.

A bit of information on Harrell Fletcher …

Within Harrell’s practice there is a beautiful oscillation that occurs between art and life. I want to make work that is alive; Harrell’s work does this – it moves, its alive, it lives in the people, happens in the community and shines ‘a spotlight on a culture’ that exists in the places he lives and works.’ (Renee Bevan, 2015)

 

Harrell Fletcher received his BFA from the San Francisco Art Institute and his MFA from the California College of the Arts. He studied organic farming at UCSC and went on to work on a variety of small Community Supported Agriculture farms, which impacted his work as an artist. Fletcher has produced a wide variety of socially engaged collaborative and interdisciplinary projects since the early 1990’s. His work has been shown at SF MoMA, the de Young Museum, the Berkeley Art Museum, the Wattis Institute, and Yerba Buena Center for the Arts in the San Francisco Bay Area; The Drawing Center, Socrates Sculpture Park, The Sculpture Center, White Columns, The Wrong Gallery, Apex Art, and Smackmellon in NYC; PICA and The Portland Art Museum in Portland, OR; CoCA and The Seattle Art Museum in Seattle, WA; Signal in Malmo, Sweden; Domain de Kerguehennec, and the Matisse Museum in France; The Vancouver Art Gallery and The Power Plant in Canada; The Tate Modern and the Royal College of Art in London; and the National Gallery of Victoria in Melbourne, Australia, among many other locations. He was a participant in the 2004 Whitney Biennial, the 2007 Mercosul Biennial, the 2012 Shanghai Biennial, and the 2014 CAFAM Biennial. Fletcher has work in the collections of MoMA, The Whitney Museum, The New Museum, SFMoMA, The Hammer Museum, The Berkeley Art Museum, The De Young Museum, The FRAC Brittany, France, and CAFA Art Museum in Beijing, China. Fletcher is the 2005 recipient of the Alpert Award in Visual Arts. From 2002 to 2009 Fletcher co-produced Learning To Love You More, a participatory website with Miranda July. Since 2009 he has collaborated with Jens Hoffmann on The People’s Biennial, an ongoing exhibition project devoted to locating and presenting under-acknowledged art and artists from across the US. Fletcher is a Professor at Portland State University in Portland, Oregon, where he is the director of the MFA in Art and Social Practice, a program he founded in 2007.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s