When all else fails… look to books

Refugees Welcome, by VladyArt, September 2015 Kalamaria/Thessaloniki, Greece. A red carpet entry to Europe: plastic pipes, gold paint, red cloth, naval rope, wooden finials for curtain rods, paper plates. From mid-2016 we Handshakers worked with the London-based group Dialogue Collective to build a collaborative show for Munich Jewellery Week 2017. In a flurry of inter-hemispherical bonding we exchanged words and…

TOUCH, PAUSE (even ENGAGE…)

For July’s Handshake show at Platina  in Stockholm I collaborated with Kate Whitley, the photographer who shot the tabletop images for the Touch table. The show coincided with the Rio Olympics and Paralympics, and we wanted exhibition visitors to experience the elation and surge of well-being that occurs at That Podium Moment. We were inspired by a…

Meanwhile, in a parallel universe…

Besides making work for the programmed Handshake shows, we’re each tasked with developing our independent practice. 2016 was a busy year. Here’s a digest of the side projects that occupied me between March and December 2016. March – With Occupation: Artist – Golden Section Click here for details This lighthearted, ephemeral group project was pivotal…

On Jewelleryness: TOUCH at Objectspace

In the end, our collaborative piece came together just as planned, so here’s the description I wrote for Objectspace. On Jewelleryness: TOUCH We aim to demonstrate jewelleryness rather than explain it. Outside, we’ll gild the window frame: Inside by the window is a glossy black-topped table: At first look the table top is bare, but when warmed…

Show, don’t tell

Once we had settled on Touch to Reveal as the means by which we want gallery visitors to experience our work, the challenge was to dream up a form of engagement where the viewer’s action – of touch – renders something visible. We wanted to somehow conjure for our viewers the wonder of that childhood experience of…

Touch/Don’t Touch

For our Objectspace piece, Liesbeth and I are focussing on the sensory action of  touch, taking the opportunity to play with the taboo against touching that is usually enforced in a gallery setting. We both enjoy the signage employed to remind us of this and other restrictions on viewers. This from the British Museum: Liesbeth…

Closing in … from TIME to TOUCH

“Can you begin a process without knowing where it goes?” Iris Eichenberg 2011 At the start of our correspondence I warned Liesbeth about the not-a-straight-line nature of my process, and we wrote into our proposal for Objectspace: The work will develop through enquiry, experimentation and accident; space will be made for the unexpected; uncertainty and changes…